{"product_id":"couple-and-family-psychoanalysis-volume-15-number-1-special-issue-couples-and-families-in-film","title":"Couple and Family Psychoanalysis: Volume 15 Number 1 – Special Issue: Couples and Families in Film","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eCouple and Family Psychoanalysis\u003c\/em\u003e is an international journal sponsored by The Tavistock Institute of Medical Psychology, which aims to promote the theory and practice of working with couple and family relationships from a psychoanalytic perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/firingthemind.com\/wp-content\/uploads\/2025\/02\/Editorial-3.pdf\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eEDITORI\u003c\/strong\u003e\u003cstrong\u003eA\u003c\/strong\u003e\u003cstrong\u003eL \u003c\/strong\u003e\u003c\/a\u003e\u003cem\u003eby\u003c\/em\u003e \u003cstrong\u003ePerrine Moran \u003c\/strong\u003eand \u003cstrong\u003eMartha Doniach\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eARTICLES AND FILM REVIEWS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eAdoption, identity, and coupling: Viewing \u003cem\u003eReturn to Seoul\u003c\/em\u003e through a clinical lens\u003c\/strong\u003e\u003cbr\u003eby Christopher Clulow \u003cstrong\u003e(\u003cem\u003eReturn to Seoul, Chou, France, 2022\u003c\/em\u003e)\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eA process of family subjectivation in Kore-eda’s \u003cem\u003eBroker\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e(\u003cem\u003eSouth Korea, 2022\u003c\/em\u003e)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eReview by Cristelle Lebon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eVincent and Theo van Gogh: Their fraternal link in two biographical films\u003cbr\u003e\u003c\/strong\u003eby Massimiliano Sommantico (\u003cem\u003e\u003cstrong\u003eVincent and Theo\u003c\/strong\u003e, Altman, USA, 1990, \u003c\/em\u003eand \u003cem\u003e\u003cstrong\u003eAt Eternity’s Gate\u003c\/strong\u003e, Schnabel, co-production, 2018\u003c\/em\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eDisruptive losses in three European films about families\u003c\/strong\u003e\u003cbr\u003eby Andrea Sabbadini \u003cstrong\u003e(\u003ci\u003eTheorem, Pasolini, Italy 1968, The Son’s Room, Moretti, Italy 2001, \u003c\/i\u003eand \u003ci\u003eFesten, Vinterberg, Denmark, 1998\u003c\/i\u003e)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eThe Zone of Interest\u003c\/strong\u003e (\u003cem\u003eGlazer, UK\/USA\/Poland, 2023\u003c\/em\u003e)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eby Krisztina Glausius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eFighting in the Garden of Eden\u003c\/strong\u003e\u003cbr\u003eby Joanna Rosenthall (\u003cem\u003e\u003cstrong\u003eBefore Midnight\u003c\/strong\u003e, Linklater, USA, 2013\u003c\/em\u003e) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eA couple unable to parent together resulting in violence, hatred, and death: \u003cem\u003eAnatomy of a Fall \u003c\/em\u003e\u003c\/strong\u003e(\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eTriet, France, 2023\u003c\/em\u003e)\u003cbr\u003eReview by Kate Thompson \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eWho’s Afraid of Virginia Woolf? Shifting “couple fits”, fluctuating “unconscious couple relations” and the dynamic relationship between different internal figures\u003c\/strong\u003e\u003cbr\u003eby Aleksandra Novakovic (\u003cem\u003e\u003cstrong\u003eWho’s Afraid of Virginia Woolf?,\u003c\/strong\u003e Nichols, USA, 1966\u003c\/em\u003e)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e– \u003cstrong\u003eMaestro\u003c\/strong\u003e (\u003cem\u003eCooper, US, 2023\u003c\/em\u003e)\u003cbr\u003eReview by Marian O’Connor\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003cstrong\u003e The phoenix of alterity\u003c\/strong\u003e\u003cbr\u003eby Judith Pickering (\u003cem\u003e\u003cstrong\u003eInto the Darkest Night\u003c\/strong\u003e, Pickering, Australia, 1977 \u003c\/em\u003eand \u003cem\u003e\u003cstrong\u003eShadowlands\u003c\/strong\u003e, Attenborough, UK, 1993\u003c\/em\u003e) \u003c\/span\u003e\u003c\/p\u003e","brand":"Karnac","offers":[{"title":"Default Title","offer_id":59854240612736,"sku":null,"price":204.0,"currency_code":"CNY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1331\/9421\/files\/CoupleandFamilyPsychoanalysis-Volume15Number1_SpecialIssue-CouplesandFamiliesinFilm.jpg?v=1789139873","url":"https:\/\/freud-museum-shop.myshopify.com\/products\/couple-and-family-psychoanalysis-volume-15-number-1-special-issue-couples-and-families-in-film","provider":"Freud Museum Shop","version":"1.0","type":"link"}